Sheela-na-Gigs and other unruly women, Catherine E Karkov. Sheela-na-gig, are or Irish origin and are gender ambiguous and carved from wood. They are grotesque females to negate the lustful sexualisation of the female body. The article shows that the history of the sheela na gigs is as important as their origin. Appropriated as signs of power, sovereignty and land. There is a relationship between the fertility of the female body and the land. Posted by the dancing goat.

She was a German painter, printmaker and sculptor. She used drawing, etching, lithography, and woodcut to express the struggles of modern life during the beginning of the 20th century embracing visions of poverty, hunger, and war. Her later work took on a more expressionistic role. Posted by the dancing goat. She was married to the photographer Alfred Stieglitz in 1929, and they begun a collaborative carrer.

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